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We’ve updated our Terms of Use. You can review the changes here.

Cornerghosts

by Nastrom

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1.
Cornerghosts 06:02
summon the ghosts on the corner empty street pale white light cornerghosts
2.
wet trees, silvery bell toll, surreal no roof, creakin’ walls of weed, howlin’ ruins and ruins
3.
this time gonna be different way different
4.
moonface, pale skin moves in silence distant voices don’t trust no one moonface, pale skin moves in silence follow your own strange ways, escape escape escape escape escape
5.

about

Low-tuned bass, distant guitar lava, hypnotic rhythm machine.
Lyrics about cornerghosts and desolate places.

credits

released March 28, 2015

Stevan Lenhart: bass guitar, vocals, rhythm programming, guitar
*Deliblato Sandstorm remixed by Vrhovny, DJ (a.k.a Ferenc Teglaš)

'Cornerghosts' video:
www.youtube.com/watch?v=Pk8_wR068s0

"This new record from Nastrom maintains the same five-track EP form as the eponymous EP that I have reviewed in these pages some time ago. What I liked in the previous recording was the ability to channel the use of DIY techniques into an original production, and the killer vintage bass sounds. These elements have been maintained in “Cornerghosts” too, with some more guitars, but with an evolution in terms of heaviness. Directly compared to its predecessor, the mastering of “Cornerghosts” appears much more powerful and enveloping, a record that plays loud. There’s a different choice of sounds, first of all the drums, that are much more substantial than the dry machines heard before. As I already said, more guitars are used and this allows the bass to be played in a lower range. This doesn’t change the “hierarchy” of Nastrom’s sound in any way, as the bass is always in front of the mix with a devastating sound. Just as you play the first track (after which is named the album) you get swept away by a huge riff with creamy overdrive, and the loud clangor of the down-tuned strings. “Ruins and Ruins” has a weird reverse effect in the repetitions of the delay in the bass chords track, while “Valley of Decisions” features some disturbing, sustained fuzz notes appearing now and then. “Escape to Periphery” starts with a delayed bass riff that suggests some anxiety, the sense of a need to escape. The intensity grows with the addition of drums, guitar and the deeply processed vocals, and then the distortion level rises in the doom-metal coda. The last track is a remix by Vrhovny of “Deliblato Sandstorm” from the previous album, that transforms the original track completely, making it more airy and abstract. The original CD includes lyrics, two photographic cards and the bonus video for the title track."
(Damiano Lanzi, Santa Sangre Magazine)

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about

Nastrom Vojvodina, Serbia

Summon the ghosts
On the corner
Empty street
Pale white light

Nastrom was formed in 2012 by DIY/underground enthusiast Stevan Lenhart (Black Syrup zine, ex Pamba). Contact: blacksyrupzine@gmail.com

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